These two new typefaces both obey and reject the grid at the same time. They feature wonderfully quirky latin glyphs, maze-like in thier even distribution between straight lines and curves. Likening his creative process to conducting an orchestra of letters. He tells It’s Nice That: “I try to turn noise into something harmonious”, slowly “modifying, correcting, regulating every detail until I get what I want.” Benoît asserts that his design decisions are made according “to what I hear from the orchestra”