Toshi Omigari’s definitive survey of ’70s, ’80s, and early ’90s arcade video game pixel typography. Arcade Game Typography presents readers with a fascinating new world of typography: the pixel typeface. Video game designers of the ’70s, ’80s, and ’90s faced color and resolution limitations that stimulated incredible creativity. With each letter having to exist in a small pixel grid, artists began to use clever techniques to create elegant character sets within a tiny canvas.
Adrian Shaughnessy founded Unit Editions with Tony Brook and Patricia Finegan in 2009. Since then, the studio has become one of the most highly-regarded independent design-oriented publishers around, releasing books on the likes Paula Scher, Herb Lubalin, and Vaughn Oliver. Its latest title is the forthcoming What is Universal Everything, an overview of that studio’s work over the past 15 years.
Letterform Archive is a living collection which aims to tell the continuing story of design. This selection of diagrams, illustrations, models, and methods used to teach people how to make letters can be as engaging as the resulting letters themselves, unearths just a few items from the hundreds of instructional works at the Archive.
John Boardley tells of a 15th century best seller ‘a tale of illicit love and adulterous passions’ the latest article on ilovetypography.com which is sure to please all the book and print historians. “This a woodcut from the only illustrated printed edition of the fifteenth century. Printed by Pacini around 1500. Only four copies survive: three in Italy and one in the United States, held at the Metropolitan Museum of Art in New York.”
I follow Letterpress printer and fine book maker Phil Treble via instagram, last month I was overjoyed seeing Phil’s production of Tamlane. The craftsmanship this book is glorious.
I think the Better Letters events are phenomenal and am so excited to see they are selling the Mike Meyer’s workshop resources as merch. The poster series is fantastic but I am most excited by this A5 booklet showing stroke sequence and spacing for a variety of sign painting styles. The 12-page booklet contains: Block (upper and lower case); Thick & Thin; Casual; Slanted Casual; Script (upper and lower case). It also includes reference pages for spacing, shadows and convex bevels.
Designed by children’s book illustrator Warren Chappell in 1938 Lydian is a “humanist” sans-serif typeface. It has crisp, knife-cut-looking edges and gives the impression of being written by a human hand. Jason Heuer, attributes the font’s resurgence to “The contemporary artisanal movement that has been happening for some time — from craft brewing, furniture making, and bee-keeping to hand lettering and printmaking — is a reaction to the digitized world we see every day. I think consumers yearn for something visceral, sincere, and authentic.”
"Femme Type Book," an all-female collection of essays, type design, and typography that showcases the brilliant typographic achievements of over 40 women from across the globe. Help fund its production via Kickstarter - it has already exceeded its goal (I backed this book and cant wait to see it!)
a comprehensive and heavily illustrated exploration of the meaning, history, value, mechanics and future of the book cover. Most importantly the book examines, in detail, the relationship between text and cover, and tries to unpack both the question of whether the cover may be considered a valid form of literary criticism, as well as whether or not the cover may be considered a work of art in its own right.