Tasman‘s shape grammar has gravity and power that speaks to truth, reliability or perhaps more aptly trustworthiness. These are fundamental qualities in the delivery of information in an "alternative fact" age.

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AuthorNicole Phillips

A letterpress specimen of Bifur wood type, designed and printed by Amelia Hugill-Fontanel, Associate Curator of the Cary Graphic Arts Collection at RIT. Amelia’s master’s thesis focused on Deberny et Peignot, the French foundry that originally produced Bifur. The colophon text is printed from vintage Peignot metal type—another classic typeface designed by A.M. Cassandre. This 12" x 19" specimen print is hand-printed in four colors, with five press runs, in a strictly limited edition of 42 copies. And, for the month of March, they are offering the digital versions of P22 Bifur at 50% off!

Frank Fonts is the new independent type foundry of Béla Frank, a British-Hungarian type and graphic designer who has been releasing fonts since 2010, mostly through Faberfonts. His new foundry focuses on making high-quality and affordable typefaces, of which the first retail release, Kraken, is an original slab with strong personality, drawing its inspiration from the raw, yet lively look of the earliest 19th century English Antique faces. (Link and text via Noemi Stauffer’s excellent freshfonts newsletter)

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AuthorNicole Phillips