In this class Martina Flor, lettering artist and designer, will share her secrets to successfully digitising a lettering piece to achieve expressive designs. Vector drawings can help you achieve a greater control on the shapes of your lettering. Also, the nature of a commercial project often requires the scalability that a digital drawing provides. If you want to get all nerdy working on your curves and adding visual depth to your designs, this class is for you!
Fontself partnered with Francis Chouquet and Daniel Hosoya to bring you super-packed creative advice to help you up-your type craftsmanship. They synthesized their top recommendations & illustrated them as part of two new articles on the fontself blog: The first entitled ‘How to draw better letters for your fonts’ and the second builds on this wisdom with tips for consistency in ‘How to design a typeface system‘. (Use these tips to develop your own typeface with Fontself like I did here)
Typography Daily reports “Anthony James runs a successful design studio in Manchester, UK. He creates fonts, but not only, he also creates powerful iconography based on type” on his site Anthony writes; experimentation is essential for creating new ideas, so we've compiled a collection to act as a catalyst for innovation.
There is a small scrapbook in the original W.A. Dwiggins Collection at the Boston Public Library. Among its miscellaneous contents are five small sheets of paper bearing undated outline drawings of rotunda alphabets. Paul Shaw deep dives into the provinance of these important and lovely sketched letters.
In this practical antidote to a “quit your job and do what you love” talk, Jess unpacks the question — “What do you want to be when you grow up?”— and the importance of finding out who you are in the first place. She notes the answer to “Who am I?” is never static — it shifts and transforms over and over again as you grow, change, mature, hormonally implode, and so on. Only once you know yourself, discover what actually makes you tick, can you “do what you love.”
The question of when a typeface or lettering crosses the line from being expressive and conceptual into simply becoming illegible has long been debated in the field of design. Should type always be considered a tool for clear communication, or can it take on symbolism of its own, acting as an image would? For Paris and Lausanne-based graphic designer Eliott Grunewald, an investigation of the latter forms the basis of his experimental portfolio.
These street name signs 'hide in plain sight' they are read daily for navigation as visual wayfinding anchors but not often seen. Especially by locals, Allistair’s project is about looking at these signs critically to understand where they have come from and what narrative they may tell of his city.
Amsterdam-based artist and illustrator Karan Singh and New York-based graphic designer Zuzanna Rogatty, explored the bonfire night, where fireworks are lit and crowds gather to marvel. Prior to the project, Karan had been drawn to Zuzanna’s work for its forms “so full of character”, particularly within her typographic work where the designer transforms any old letterform into a fluid, bold vector of wonder. With Zuzanna an equal fan of Karan’s brightly composed patterned work, the pair set to work.
Crushing on this painting by Alphabette Jillian Adel, who in addition to her original artworks, patches, prints and totes, has a new lettering offer in development where she will paint quotes and lyrics on commission. Buy direct from witchsy or use the contact button to chat with Jillian about something custom!