Whether you're discovering printmaking for the first time or you're looking for fresh ideas to reinvigorate your practice, you'll find plenty of inspiration in this new book from Frances Stanfield and Lucy McGeown. Brimming with experimental, arresting and beautiful examples of printmaking from all over the world, it will take your creativity further and awaken new ideas.
Tallone Press’ collection of typefaces, archiving styles ‘from gutenberg to the moon’ features beautifully photographed fonts, punches, printed specimen and plates. This is an exquisite source of inspiration and information for printers, and typographers.
An 81 year old artisan printer is seeking an heir to inherit his business in an effort to revive the fortunes of the letterpress printing trade after his children decided to pursue different careers. Stanley Lane has worked as a ‘monotype’ hand printer for over 60 years, producing meticulously crafted books from Gloucester Typesetting workshop in Stroud to a select group of publishers.
Check out this incredible Animation created for Richard Ardagh’s talk on Monotype punchcutting at the Printing Museums conference in Belgium. The face of this steel punch measures 0.2 inches (approx 5mm) square and you see the approx 30 stages of the engraving process. This ct ligature is from Hungry Dutch, a font by Russell Maret
The 1800s were a time of massive transformation in printing. The 1700s saw printing move from cottage to larger scale, but many factories held back industrial operations. Those changed dramatically right around 1800 and proceeded through the end of the century. In this article Glenn Fleishman focuses on an overlooked aspect: paper molds used to duplicate entire pages of type and images, often for newspapers, that were cast as metal plates. These remained in use until the 1980s in American newspapers!
Printmaking is a very old and beautiful art form but it‘s not accessible for a lot of people. The Open Press Project responds to this with a small but fully functional etching press, designed to be lightweight, inexpensive and portable. Learn more and back the project on Kickstarter here
A few weeks back I was scrolling my twitter feed when some striking marbling stopped me in my tracks. The photographs were progress shots from Emily Hancock’s binding process of her latest release a gorgeous letterpress printed edition of Michael Delp’s poetry.
A remarkable photo essay by Christopher Payne who spent 2 years documenting the Times printing plant in Queens “to find the beauty in newsprint and the people who produce it.”