A youtube channel documenting the projects and process of this renowned studio. The latest offering is a time-lapse showing the results of a typography workshop with Delaware College of Art & Design. Each of the 17 students brought a typography-related quote to handset using 36 point metal type.
Reviving Type is a book on archive research and contemporary type design, written and designed by Nóra Békés & Céline Hurka, published by Acute Publishing. The book is available for sale with international shipping now! Order Reviving Type directly here → “The publication guides the reader from finding original sources in archives, through historical investigation and design process to the finished type.”
Behind the fonts is series of designer interviews aimed at highlighting the people and process behind the fonts you love and use. This installment features Jessica McCarty, an award-winning designer of handwritten and calligraphic fonts. McCarty founded Magpie Paper Works, a boutique typographic foundry specializing in hand-drawn fonts and custom lettering. She also co-founded Rare Bird Foundry in 2017, where she transforms select artists’ calligraphy into premium OpenType fonts.
The latest book release from Letterform Archive is Morla : Design a career-spanning monograph of leading designer and AIGA medalist Jennifer Morla. It features exquisite reproductions of her work, vital design insights, reflections on Jennifer’s 26 favorite characters from 19th and 20th-century typefaces, and behind-the-scenes stories, all brought together an astonishing print package devised by Morla herself.
Commercial Classics Journal entry on the how the digital processes of making type today differ from the days of moveable type. “We made all of the faces in the Commercial Classics library digitally from start to finish. However, the originals they were based on were made in the traditional analogue method that had been in use since the fifteenth century,“
Fontself partnered with Francis Chouquet and Daniel Hosoya to bring you super-packed creative advice to help you up-your type craftsmanship. They synthesized their top recommendations & illustrated them as part of two new articles on the fontself blog: The first entitled ‘How to draw better letters for your fonts’ and the second builds on this wisdom with tips for consistency in ‘How to design a typeface system‘. (Use these tips to develop your own typeface with Fontself like I did here)
Check out this incredible Animation created for Richard Ardagh’s talk on Monotype punchcutting at the Printing Museums conference in Belgium. The face of this steel punch measures 0.2 inches (approx 5mm) square and you see the approx 30 stages of the engraving process. This ct ligature is from Hungry Dutch, a font by Russell Maret
There is a small scrapbook in the original W.A. Dwiggins Collection at the Boston Public Library. Among its miscellaneous contents are five small sheets of paper bearing undated outline drawings of rotunda alphabets. Paul Shaw deep dives into the provinance of these important and lovely sketched letters.
A few weeks back I was scrolling my twitter feed when some striking marbling stopped me in my tracks. The photographs were progress shots from Emily Hancock’s binding process of her latest release a gorgeous letterpress printed edition of Michael Delp’s poetry.