In this video they profile Briefcase Type… a foundry offering a wide range of unique and original Czech fonts by authors, who may not wish to set up their own type foundry. It profiles itself as an independent type foundry. Briefcase digitizes original font designs, offer fonts by young authors and help publish older, previously unreleased fonts. The project is a logical extension of the Suitcase Type Foundry.
Designed by Bernd Volmer Seraphs is font family that encompasses multiple typographic styles in one single system. Unlike other families with a sans and serif style, Seraphs doesn’t stop there. Utilising variable font technology Seraphs delivers 6 genre in one font and allows the user to define intermediary styles meaning the aesthetic possibilities are vast!
Narrow and straight-sided, Aglet Sans playfully exploits a system of angles and corner radiuses to arrive at a vocabulary of shapes that becomes more diverse and intriguing as it grows more substantial in weight and provides a dynamism that offsets the strictures of other forms, urging the eye forward. I spoke with Designer Jesse Ragan to learn more
“The London Type Foundry release new fonts infused with creativity, innovation, heritage, tolerance, fun and cultural diversity — they are all inspired by LONDON.” They recently released a super bold type specimen showcasing their place responsive type.
It looks like Helvetica - it feels like Helvetica - but it has a larger x-height and refined glyphs which reads and performs so much better than anything previously in the family (or broader genre). "Helvetica Now solves the legibility and style challenges that brands using Helvetica have consciously and unconsciously faced for years. The design introduces a new chapter in the Helvetica story—expanding its look and utility, while reinvigorating its heritage."
“Veronika Burian describes her discovery of type as being similar to falling in love. The budding industrial designer would ride the bus to work every morning in Milan, bent over a book recommended to her by a type-obsessed friend, underlining passages. The book was Robert Bringhurst’s The Elements of Typographic Style, the gateway drug for many people just starting to learn about the dense, detailed world of letterforms.”
Tasman‘s shape grammar has gravity and power that speaks to truth, reliability or perhaps more aptly trustworthiness. These are fundamental qualities in the delivery of information in an "alternative fact" age.
After completing Kontiki to much celebration and admiration from our community, Felix set to work expanding the family by developing the characters that informed his woodcuts. The resulting font is Pulpo, a friendly and comfortable looking slab serif inspired by Century Schoolbook and Clarendon.
“Typefaces speak of where culture is, its priorities and aspirations,” says the Wellington-based Klim Type Foundry. Jess Sowersby tells its nice that about the unique design scene in New Zealand and the pros and cons of its cultural landscape. She remarks on the importance of design in reflecting the collective expression of a country and as a result, how Klim is creating work like no one else in any part of the world.
NM types latest project Movement was born as a collaboration with Design Indaba, and draws inspiration from the perfomance of contemporary dance. Movement’s letterforms express the shifting form and weight in a South African dancer, Andile Vellem’s body.