The latest edition of Jen Farrell (aka Starshaped press)’s weekend Printer encourages us all not to be complacent with arbitrary values (& trying to speed up an inherently slow process). “I know it’s fun to throw a bunch of big, juicy wood type on a Vandercook, slap some magnets down and go to town with it. I am often asked how I turn out a lot of work in a short period of time and it’s because I DON’T do that. What seems like the fast way is anything but, and if you want to learn a few tips to do it right, read on.”

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AuthorNicole Phillips

An 81 year old artisan printer is seeking an heir to inherit his business in an effort to revive the fortunes of the letterpress printing trade after his children decided to pursue different careers. Stanley Lane has worked as a ‘monotype’ hand printer for over 60 years, producing meticulously crafted books from Gloucester Typesetting workshop in Stroud to a select group of publishers.

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AuthorNicole Phillips

Inspired by provocative language that has stood the test of time, poetry that captures the beauty of the human experience, and philosophy that drives us to examine and re-examine. This New york based creative studio aims to create book & poetry inspired art and thoughtfully designed gifts that prompt conversations and bring aesthetic joy to everyday objects. Beautiful language deserves beautiful treatment.

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AuthorNicole Phillips

A letterpress specimen of Bifur wood type, designed and printed by Amelia Hugill-Fontanel, Associate Curator of the Cary Graphic Arts Collection at RIT. Amelia’s master’s thesis focused on Deberny et Peignot, the French foundry that originally produced Bifur. The colophon text is printed from vintage Peignot metal type—another classic typeface designed by A.M. Cassandre. This 12" x 19" specimen print is hand-printed in four colors, with five press runs, in a strictly limited edition of 42 copies. And, for the month of March, they are offering the digital versions of P22 Bifur at 50% off!